{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Imagining the North: Nordic Art in Nineteenth-Century Visual Culture and Criticism","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree"},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.format.mimetype","value":"Application/PDF"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/78359"},{"label":"dc.language.iso","value":"en_US"},{"label":"dcterms.abstract","value":"This dissertation studies the reception of Nordic painting in nineteenth-century France. I argue that the notion of so-called Scandinavian Art in nineteenth-century French literature, commonly referred to as l\u2019art scandinave, l\u2019\u00e9cole scandinave, or les \u00e9coles scandinaves , and encompassing artists coming from the countries that in the present day are known as Denmark, Sweden, Norway, and Finland, during across the second half of the nineteenth century, and solidified in usage and meaning at the end of the 1880s. The followering study presents a chronological account of how French writings on Nordic painting changed during this period, beginning with an introductory survey of eighteenth and early nineteenth-century writings on Nordic art and literature, and ending with the Unviersal Exposition of 1889."},{"label":"dcterms.available","value":"2018-07-09T14:15:59Z"},{"label":"dcterms.contributor","value":"Berman, Patricia."},{"label":"dcterms.creator","value":"Parkinson, Nicholas Kenton"},{"label":"dcterms.dateAccepted","value":"2018-07-09T14:15:59Z"},{"label":"dcterms.dateSubmitted","value":"2018-07-09T14:15:59Z"},{"label":"dcterms.description","value":"Department of Art History and Criticism."},{"label":"dcterms.extent","value":"431 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/78359"},{"label":"dcterms.issued","value":"2017-08-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2018-07-09T14:15:59Z (GMT). No. of bitstreams: 1\nParkinson_grad.sunysb_0771E_13602.pdf: 90627899 bytes, checksum: b90b9a570a07642648adf8dd14de3231 (MD5)\n  Previous issue date: 2017-08-01"},{"label":"dcterms.subject","value":"Art\u2014History"},{"label":"dcterms.title","value":"Imagining the North: Nordic Art in Nineteenth-Century Visual Culture and Criticism"},{"label":"dcterms.type","value":"Dissertation"},{"label":"dc.type","value":"Dissertation"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/34%2F80%2F14%2F34801417507763691682198347115434705432/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/34%2F80%2F14%2F34801417507763691682198347115434705432","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}