{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Please See","metadata":[{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/78312"},{"label":"dcterms.abstract","value":"\u201cPlease See\u201d is a work of literary fiction and is partially based on a cold case from 2007, when the bodies of four prostitutes were found in a drainage easement in the salt marsh behind an Atlantic City motel. I\u2019ve set the novel over the course of one summer in Atlantic City in 2016, when the city is in the throes of a deep recession, still struggling to recover from the damage wrought by Storm Sandy, and dealing with the constant devastation brought on by the influx of heroin in town. The book reimagines the murders through the eyes of a rotating cast of characters: Luis, a deaf-mute immigrant from Haiti, Clara, a high school dropout turned boardwalk psychic, and Lily, a former art gallery assistant who has recently moved back home from New York to recover from a personal and professional humiliation. All of these characters will be profoundly affected by the discovery of the bodies: Luis, who has taken to prowling town for salvage and scrap metal, is the one to find them in the marsh and struggles over how to communicate what he\u2019s seen without implicating himself in the crime. Clara finds herself vulnerable to a violent client who may have had something to do with the killings, and Lily is the only one to know about the danger that Clara is in. In addition to navigating the various threats that loom over the city, Luis grapples with his guilt over an act of violence he committed before he came to America, Lily struggles to solve a mystery surrounding a trove of WWII-era paintings she uncovers at her neighbor\u2019s home, and Clara discovers a brutal secret about the mother who left her when she was an infant and the aunt who raised her."},{"label":"dcterms.available","value":"Never Deliver"},{"label":"dcterms.contributor","value":"Advisors: Scarf Merrell, Susan; Minot, Susan; Cheshire, Scott"},{"label":"dcterms.creator","value":"Mullen, Caitlin"},{"label":"dcterms.date","value":"2017"},{"label":"dcterms.dateAccepted","value":"2018-07-03T17:42:03Z"},{"label":"dcterms.dateSubmitted","value":"2018-07-03T17:42:03Z"},{"label":"dcterms.description","value":"Thesis"},{"label":"dcterms.extent","value":"368 pages"},{"label":"dcterms.format","value":"application/pdf"},{"label":"dcterms.identifier","value":"Mullen_grad.sunysb_0771M_13540.pdf"},{"label":"dcterms.issued","value":"2017-12-01"},{"label":"dcterms.language","value":"en"},{"label":"dcterms.provenance","value":"Submitted by Jason Torre (fjason.torre@stonybrook.edu) on 2018-07-03T17:42:03Z\nNo. of bitstreams: 1\nMullen_grad.sunysb_0771M_13540.pdf: 1250143 bytes, checksum: 6be37f264e9bb28bea80c7e3885e496a (MD5)"},{"label":"dcterms.publisher","value":"Stony Brook University"},{"label":"dcterms.subject","value":"Creative writing"},{"label":"dcterms.title","value":"Please See"},{"label":"dcterms.type","value":"Text"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F98%2F80%2F149880550002814174860814422675267666495/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F98%2F80%2F149880550002814174860814422675267666495","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}