{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Soldados del infortunio: sustratos de la colonialidad en la literatura b\u00c3\u00a9lica caribe\u00c3\u00b1a","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/78258"},{"label":"dc.language.iso","value":"es"},{"label":"dcterms.abstract","value":"This dissertation explores the coloniality of being in mid-twentieth century Spanish Caribbean war literature. I examine literature as a means of fostering decolonial thinking, as working to reverse coloniality\u2019s effects. The dissertation takes into account the context that triggered the armed conflicts in which Spanish Caribbean soldiers were involved. It emphasizes the United States\u2019 imperialistic attitude towards the Caribbean, a common factor in threading stories of male affect. In the first chapter, I study four short stories by Emilio D\u00edaz Valc\u00e1rcel which focus on the participation of Puerto Rican soldiers in the United States Army during the Korean War. In each tale, the discrimination suffered by these soldiers\u2013based on their ethnic and linguistic difference\u2013 indelibly shapes the subjectivity of Puerto Rican military men who, as a result, must embark on a perennial quest for a sense of belonging. The second chapter analyzes a collection of short stories by Eduardo Heras Le\u00f3n. He writes of the battles that took place during the Invasion of the Bay of Pigs in Cuba. Heras Le\u00f3n\u2019s characters aim to emulate an abstract image of the modern Western soldier by projecting themselves as emotionless, as virile killing machines. However, the fallacy of this overrepresented image surfaces in the portrayal of the internal conflict Cuban soldiers suffer, since they are constantly fighting their own emotions. In the third and final chapter, I delve into war and social poetry by Jacques Viau Renaud. His poetry was produced during the turmoil that followed the coup d\u2019\u00e9tat that ousted President Juan Bosch in the Dominican Republic in 1963. Viau\u2019s poems build on the idea that marginalized and colonized subjects must turn to each other with love, in order to fight against the oppression they suffer. Through an analysis of these writers\u2019 works, I demonstrate that the experience of war helps to reveal the underpinnings of a coloniality of being. Colonial subjects, consequently, embark on a process of decolonial thinking and loosen the stranglehold imposed by a colonized psyche."},{"label":"dcterms.available","value":"2018-06-21T13:38:45Z"},{"label":"dcterms.contributor","value":"Uriarte, Javier"},{"label":"dcterms.creator","value":"Gonz\u00e1lez-Jim\u00e9nez, Rub\u00e9n"},{"label":"dcterms.dateAccepted","value":"2018-06-21T13:38:45Z"},{"label":"dcterms.dateSubmitted","value":"2018-06-21T13:38:45Z"},{"label":"dcterms.description","value":"Department of Hispanic Languages and Literature"},{"label":"dcterms.extent","value":"235 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/78258"},{"label":"dcterms.issued","value":"2017-12-01"},{"label":"dcterms.language","value":"es"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2018-06-21T13:38:45Z (GMT). No. of bitstreams: 1\nGonzalezJimenez_grad.sunysb_0771E_13545.pdf: 1252416 bytes, checksum: b9bd7cc5a6d8a6d42486fd21744e2cfd (MD5)\n Previous issue date: 12"},{"label":"dcterms.subject","value":"Latin American literature"},{"label":"dcterms.title","value":"Soldados del infortunio: sustratos de la colonialidad en la literatura b\u00c3\u00a9lica caribe\u00c3\u00b1a"},{"label":"dcterms.type","value":"Dissertation"},{"label":"dc.type","value":"Dissertation"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/49%2F84%2F47%2F49844783287187509384131567787348815490/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/49%2F84%2F47%2F49844783287187509384131567787348815490","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}