{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"From Roots to Branches: Building American Ethos Through Imaginative Construction and Sleep Narrative","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/78249"},{"label":"dc.language.iso","value":"en_US"},{"label":"dcterms.abstract","value":"Washington Irving's The Sketchbook of Geoffrey Crayon is an exceptional case study into a species of imaginative discourse\u2014sleep and reverie\u2014as Irving seamlessly weaves the trope consistently through a litany of short sketches that attempt to map the uncharted territories of a nascent American identity. Stories like \u201cThe Legend of Sleepy Hollow,\u201d \u201cRip Van Winkle,\u201d and \u201cThe Mutability of Literature\u201d all rely on either overt sleep or else a veil of drowsiness, stupor, or laziness to flesh out the historical relationship between the budding American Republic and its colonial predecessors. This paper attempts to justify Irving's use of the unconscious as a method for explicating the cultural ties between America and Europe. Irving is clearly separating the masculine notion of political cessation from European influence from the need to tap into the cultural roots that give America its force. By close reading Irving's key sketches (including its influences), tapping into criticism of Irving's struggle with national identity, and pulling from Coleridge's theory of imagination, this paper shows how representations of sleep become complicit in creating mystical discourse that seeks to define and tie American ethos with pre-republic roots."},{"label":"dcterms.available","value":"2018-06-21T13:38:43Z"},{"label":"dcterms.contributor","value":"Newman, Andrew"},{"label":"dcterms.creator","value":"Barrios, Kenneth Alberto"},{"label":"dcterms.dateAccepted","value":"2018-06-21T13:38:43Z"},{"label":"dcterms.dateSubmitted","value":"2018-06-21T13:38:43Z"},{"label":"dcterms.description","value":"Department of English"},{"label":"dcterms.extent","value":"37 pg."},{"label":"dcterms.format","value":"Application/PDF"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/78249"},{"label":"dcterms.issued","value":"2017-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2018-06-21T13:38:43Z (GMT). No. of bitstreams: 1\nBarrios_grad.sunysb_0771M_13588.pdf: 439616 bytes, checksum: 5f335f2bea16ac8cd138bbb752ed4f73 (MD5)\n  Previous issue date:   12"},{"label":"dcterms.subject","value":"Irving"},{"label":"dcterms.title","value":"From Roots to Branches: Building American Ethos Through Imaginative Construction and Sleep Narrative"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/13%2F87%2F05%2F138705606845239102614217470294138499012/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/13%2F87%2F05%2F138705606845239102614217470294138499012","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}