{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"The Presence of the Absent","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/77888"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"This thesis, The Presence of the Absent, is an autobiographical recounting of the\nproduction of my major works from 2006 through 2009. This period was marked by my\nseparation from family and from my native country, Spain \u2014 and by my father's suicide.\nSince I left Spain, I have compensated for the physical absence of my loved ones through\nthe creation of works that, through confining my body, function as thresholds between the (me)\nhere and the (they) there. These works comprise a series of installations and performance pieces.\nAmong my more important influences are the works of the visual artist Carolee\nSchneemann, and of the writer Milan Kundera."},{"label":"dcterms.available","value":"2018-02-15T18:49:12Z"},{"label":"dcterms.contributor","value":"Erickson, Christa"},{"label":"dcterms.creator","value":"Pe\u00f1a-Mart\u00ednez, Ver\u00f3nica"},{"label":"dcterms.dateAccepted","value":"2018-02-15T18:49:12Z"},{"label":"dcterms.dateSubmitted","value":"2018-02-15T18:49:12Z"},{"label":"dcterms.extent","value":"44 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/77888"},{"label":"dcterms.issued","value":"2009-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2018-02-15T18:49:12Z (GMT). No. of bitstreams: 1\nPena.sbu.pdf: 5768289 bytes, checksum: 9df79b7870b8ce9fc66bd5797689068e (MD5)\n  Previous issue date: 2009-12-01"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Studio Art"},{"label":"dcterms.title","value":"The Presence of the Absent"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/31%2F37%2F96%2F31379623854492676403114150949740302255/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/31%2F37%2F96%2F31379623854492676403114150949740302255","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}