{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Mediating Trans/nationalism: Japanese \u2018Jun\u2019ai\u2019 (Pure-Love) in Popular Media Representations","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/77217"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"Since the beginning of the 21st century, the jun\u00e2\u20ac\u2122ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss). In jun\u00e2\u20ac\u2122ai films, the heroine is often the object of loss. This theme of loss in jun\u00e2\u20ac\u2122ai therefore resonates with the Japanese social context, but this connection has not yet been fully elucidated. In this dissertation, I seek to explain why Japanese women, who are arguably treated as \u00e2\u20ac\u0153other\u00e2\u20ac  within Japan, embody a transnationalism that is often controlled and restrained for the sake of maintaining a cohesive Japanese national identification. I examine a group of 21st-century Japanese and Taiwanese films that feature a jun\u00e2\u20ac\u2122ai sentiment between the heroine and the male protagonist, arguing that the jun\u00e2\u20ac\u2122ai sentiment shows a gap between the transnational imagination that individuals aspire to, and a national ideology that manages to bind subjects to the status quo. Jun\u00e2\u20ac\u2122ai, as a subgenre of romance, is used as a national allegory for such purpose. To explain how the roles of jun\u00e2\u20ac\u2122ai heroines are used to recuperate national identification, I also analyze the concurrent trend of transnational adaptations of Audrey Hepburn\u00e2\u20ac\u2122s child-woman persona in television dramas and OL (office lady) fashion magazines, which have popularized a local version of \u00e2\u20ac\u0153otona-kawaii\u00e2\u20ac  (adult-cute) women in Japan. In these media representations, women\u00e2\u20ac\u2122s \u00e2\u20ac\u0153foreignness\u00e2\u20ac  is controlled through the expression of pure-love and the image of women as \u00e2\u20ac\u0153evolving\u00e2\u20ac  subjects who are capable of adapting to circumstances and mature through the process. Finally, in order to further explore the transnational potential of the genre, I examine the ways in which jun\u00e2\u20ac\u2122ai is used as a national discourse in Taiwan."},{"label":"dcterms.available","value":"2017-09-20T16:52:13Z"},{"label":"dcterms.contributor","value":"Kaplan, E. Ann"},{"label":"dcterms.creator","value":"Sung, I-Te Rita"},{"label":"dcterms.dateAccepted","value":"2017-09-20T16:52:13Z"},{"label":"dcterms.dateSubmitted","value":"2017-09-20T16:52:13Z"},{"label":"dcterms.description","value":"Department of Comparative Literature"},{"label":"dcterms.extent","value":"231 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/77217"},{"label":"dcterms.issued","value":"2016-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2017-09-20T16:52:13Z (GMT). No. of bitstreams: 1\nSung_grad.sunysb_0771E_13004.pdf: 1670904 bytes, checksum: 15a950ff2160cc14569c11fda909d65f (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Asian studies -- Comparative literature -- Social research"},{"label":"dcterms.title","value":"Mediating Trans/nationalism: Japanese \u2018Jun\u2019ai\u2019 (Pure-Love) in Popular Media Representations"},{"label":"dcterms.type","value":"Dissertation"},{"label":"dc.type","value":"Dissertation"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/83%2F15%2F20%2F83152077552928251091448689398189440251/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/83%2F15%2F20%2F83152077552928251091448689398189440251","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}