{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Becoming Of Art, Artist and Process","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/76846"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"This thesis is meant to clarify and articulate upon the driving forces behind the work I produced in the last three years, during which the material manifestations of my artwork swung between painting, assemblage, installation, sculpture and the two-dimensional. The philosophical implications present in my work related to the ideas of <italic>becoming</italic>, the origin of a work of art, and the sublime as found in the texts of Deleuze, Heidegger and Lyotard."},{"label":"dcterms.available","value":"2017-09-20T16:51:18Z"},{"label":"dcterms.contributor","value":"Pekarsky, Mel."},{"label":"dcterms.creator","value":"Moriarty, Katharine"},{"label":"dcterms.dateAccepted","value":"2017-09-20T16:51:18Z"},{"label":"dcterms.dateSubmitted","value":"2017-09-20T16:51:18Z"},{"label":"dcterms.description","value":"Department of Studio Art."},{"label":"dcterms.extent","value":"33 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/76846"},{"label":"dcterms.issued","value":"2015-08-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2017-09-20T16:51:18Z (GMT). No. of bitstreams: 1\nMoriarty_grad.sunysb_0771M_11765.pdf: 1418289 bytes, checksum: c4da3acdf38f0480c9878810e6288fda (MD5)\n  Previous issue date: 2014"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Chance, emotive, gravity, Painting, Process, two-dimensional"},{"label":"dcterms.title","value":"Becoming Of Art, Artist and Process"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/19%2F85%2F27%2F19852738119078341880935304547000447496/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/19%2F85%2F27%2F19852738119078341880935304547000447496","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}