{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"The Appearance of My Abstraction and Exploration of Its Identity","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/76834"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"In order to specifically articulate my work\u2019s progress, I will organize this thesis focusing on the experience of my inner point of view as an artist. This will provide the intimate interaction and communication between me and my work. I have arranged the order of development to show how my work has changed since 2009.  Each chapter will deal with procedural subjects in the advance of my art. I began with the inspiration of materiality, and this interest was evolving in the exploration of paintings by focusing on pictorial materials. Major streaming of its whole structure will be built on the relationship that I have been making with the elements in my artworks. Therefore, I will describe the progression of this relationship as it unfolded during the development of my recent installation. This thesis will provide the conclusion on the overall perspective of my work\u2019s progression, and indicate the direction of my work\u2019s concentration in the future."},{"label":"dcterms.available","value":"2017-09-20T16:51:15Z"},{"label":"dcterms.contributor","value":"Pindell, Howardena"},{"label":"dcterms.creator","value":"Choi, Ye-seul"},{"label":"dcterms.dateAccepted","value":"2017-09-20T16:51:15Z"},{"label":"dcterms.dateSubmitted","value":"2017-09-20T16:51:15Z"},{"label":"dcterms.description","value":"Department of Studio Art"},{"label":"dcterms.extent","value":"29 pg."},{"label":"dcterms.format","value":"Application/PDF"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/76834"},{"label":"dcterms.issued","value":"2016-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2017-09-20T16:51:15Z (GMT). No. of bitstreams: 1\nChoi_grad.sunysb_0771M_12828.pdf: 4429658 bytes, checksum: 9dd5d1f47f3dfd05d276704497957938 (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Fine arts"},{"label":"dcterms.title","value":"The Appearance of My Abstraction and Exploration of Its Identity"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/70%2F82%2F59%2F70825972881540433555722575769851757680/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/70%2F82%2F59%2F70825972881540433555722575769851757680","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}