{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Ancient Greek Women: Weavers, Painters and Patrons","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/76638"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"Linda Nochlin and the Guerrilla Girls, amongst others, have advocated for the equal representation of women artists. I have found that this contemporary concern of gender inequality can be traced back to Classical Antiquity. The patriarchal structure that women lived in assisted in the construction of female roles within society. Through these roles we can examine their contributions to the art world of Ancient Greece as weavers, painters and patrons. The analysis of their artistic significance led to their historiography by writers such as Pliny the Elder and Giovanni Boccaccio. Their written works, created in Ancient Rome and 14th century Italy, delineated how women with connections to the art world should be educational models and worthy of recognition. We must revisit the women\u00e2\u20ac\u2122s connections to the ancient arts, review the literature that discusses their contributions, and continue to educate future artists and historians of their artistic importance. By doing so, we can prevent the echo of their existence and their accomplishments from becoming lost in history."},{"label":"dcterms.available","value":"2017-09-20T16:50:51Z"},{"label":"dcterms.contributor","value":"Uroskie, Andrew."},{"label":"dcterms.creator","value":"Batista, Mikaela"},{"label":"dcterms.dateAccepted","value":"2017-09-20T16:50:51Z"},{"label":"dcterms.dateSubmitted","value":"2017-09-20T16:50:51Z"},{"label":"dcterms.description","value":"Department of Art History and Criticism"},{"label":"dcterms.extent","value":"38 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/76638"},{"label":"dcterms.issued","value":"2016-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2017-09-20T16:50:51Z (GMT). No. of bitstreams: 1\nBatista_grad.sunysb_0771M_12774.pdf: 6661640 bytes, checksum: d92810929da046bcbcf04ce80ceb2750 (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Ancient Greece, Female Patrons, Painting, Pottery, Weaving, Women"},{"label":"dcterms.title","value":"Ancient Greek Women: Weavers, Painters and Patrons"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/39%2F96%2F17%2F39961731733420507867671731105478159352/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/39%2F96%2F17%2F39961731733420507867671731105478159352","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}