{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Sighing into a League of His Own: Rushdie's Use of Cam\u00e4es's Epic and Cervantes's Romance in The Moor's Last Sigh","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/72635"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"This paper provides an analysis of Salman Rushdie's The Moor's Last Sigh use Luis Vaz de Cam\u00e4es's epic poem The Lusiads and Miguel de Cervantes's satiric romance Don Quixote. After a brief discussion of epic and romance, I trace Rushdie's use and re-use of various aspects from both of these works. A close reading of The Lusiads and The Moor's Last Sigh will show that in re-using Cam\u00e4es's epic, Rushdie provides India with a nationalistic work and voice that reclaims India from her imperial past, while also providing a pluralist perspective for the world to learn from. Furthermore, an analysis of Don Quixote and The Moor's Last Sigh will show that in re-using Cervantes's romance, Rushdie continues to promote the pluralist ideals, while also re-using the romance trope of loss to create a sense of urgency for pluralism and tolerance."},{"label":"dcterms.available","value":"2012-05-15T18:05:56Z"},{"label":"dcterms.contributor","value":"Videbaek, Bente"},{"label":"dcterms.creator","value":"Ponnwitz, Amanda M."},{"label":"dcterms.dateAccepted","value":"2012-05-15T18:05:56Z"},{"label":"dcterms.dateSubmitted","value":"2015-04-24T14:52:57Z"},{"label":"dcterms.description","value":"Department of English"},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"Ponnwitz_grad.sunysb_0771M_10370.pdf"},{"label":"dcterms.issued","value":"2010-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2015-04-24T14:52:57Z (GMT). No. of bitstreams: 3\nPonnwitz_grad.sunysb_0771M_10370.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5)\nPonnwitz_grad.sunysb_0771M_10370.pdf.txt: 85140 bytes, checksum: e25975dabaaa1290d6afc9e90ea4d012 (MD5)\nPonnwitz_grad.sunysb_0771M_10370.pdf: 282266 bytes, checksum: e7276936c2503ed50c762838b128b976 (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Modern Literature --  Asian Literature --  Comparative Literature"},{"label":"dcterms.title","value":"Sighing into a League of His Own: Rushdie's Use of Cam\u00e4es's Epic and Cervantes's Romance in The Moor's Last Sigh"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/10%2F71%2F78%2F107178806643285897491623707001234653495/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/10%2F71%2F78%2F107178806643285897491623707001234653495","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}