{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Behind the Picture: Theatricality  and Gruppe 38's Production of I've Got Everything","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/1951/55484"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"Through the lens of theatricality, this thesis examines the development of the production I've Got Everything by Gruppe 38, a professional Danish theatre company performing for children and adults. The company is introduced in the context of contemporary Danish theatre for young audiences, Josette Feral's 2002 definition of theatricality, and their own principles of theatricality. In application to this production, on the macro- and micro-level, theatricality is both a practical as well as a powerful conceptual tool in generating and evaluating devised work."},{"label":"dcterms.available","value":"2012-05-15T18:04:15Z"},{"label":"dcterms.contributor","value":"Manon van de Water."},{"label":"dcterms.creator","value":"Jensen, Amy E."},{"label":"dcterms.dateAccepted","value":"2012-05-15T18:04:15Z"},{"label":"dcterms.dateSubmitted","value":"2015-04-24T14:52:36Z"},{"label":"dcterms.description","value":"Department of Dramaturgy"},{"label":"dcterms.format","value":"Application/PDF"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/1951/55484"},{"label":"dcterms.issued","value":"2010-08-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2015-04-24T14:52:36Z (GMT). No. of bitstreams: 3\nJensen_grad.sunysb_0771M_10267.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5)\nJensen_grad.sunysb_0771M_10267.pdf.txt: 100668 bytes, checksum: 607386c787df2ff722eb997e1f51b8d8 (MD5)\nJensen_grad.sunysb_0771M_10267.pdf: 1410938 bytes, checksum: 88ca03d0631966a373a725c9de66b56c (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Theater --  Theater Studies"},{"label":"dcterms.title","value":"Behind the Picture: Theatricality  and Gruppe 38's Production of I've Got Everything"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/59%2F78%2F37%2F59783711871553918002950597449971875759/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/59%2F78%2F37%2F59783711871553918002950597449971875759","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}