{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Breaking Icons: Passivity and Asexuality in Representations of the Three Graces and the Renaissance Madonna","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/71371"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"This thesis will examine my artistic practice in relation to a feminist critique of pop cultural imagery through the lens of historical/theological constructs of beauty and passivity.  I will look specifically at the ideals of feminine beauty and virtue embedded in classical archetypes such as the Three Graces and the Renaissance Madonna.  Discussion of the thesis work will also be situated in relation to the history and symbolic connotations of the Black Madonna."},{"label":"dcterms.available","value":"2013-05-22T17:35:23Z"},{"label":"dcterms.contributor","value":"Buonagurio, Toby"},{"label":"dcterms.creator","value":"Pascal, Nina M."},{"label":"dcterms.dateAccepted","value":"2013-05-22T17:35:23Z"},{"label":"dcterms.dateSubmitted","value":"2013-05-22T17:35:23Z"},{"label":"dcterms.description","value":"Department of Studio Art"},{"label":"dcterms.extent","value":"41 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/71371"},{"label":"dcterms.issued","value":"2011-05-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2015-04-24T14:47:14Z (GMT). No. of bitstreams: 3\nPascal_grad.sunysb_0771M_10564.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5)\nPascal_grad.sunysb_0771M_10564.pdf.txt: 56886 bytes, checksum: 42b7b5a6c5aa5a926c812e63b085baa0 (MD5)\nPascal_grad.sunysb_0771M_10564.pdf: 7480164 bytes, checksum: 424b216f071dcf6c1747bfe672fc8f11 (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Art history--Women's studies"},{"label":"dcterms.title","value":"Breaking Icons: Passivity and Asexuality in Representations of the Three Graces and the Renaissance Madonna"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/25%2F47%2F71%2F25477100788862403456952776860956368786/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/25%2F47%2F71%2F25477100788862403456952776860956368786","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}