{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"A Figura of Authenticity: Redefining Authentic Living in Kazuo Ishiguro's Never Let Me","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/71344"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"This essay explores the concept of authenticity in Kazuo Ishiguro's novel Never Let Me Go in relation to the ontologies presented in Martin Heidegger's Being and Time and Jean-Paul Sartre's Being and Nothingness.  Through a comparison of the three central characters, I argue that Kathy H. reveals an image of authentic living that reflects Heidegger's and Sartre's philosophies, yet also transcends them.  Ishiguro, I argue, reconceives the exigencies of authentic self-creation by creating a protagonist who is able to establish her own existential projects, recognize the relationship between the factical and transcendental aspects of her identity, and accept her death as her own-most possibility despite the limiting circumstances of her environment.   I argue that Ishiguro reveals authenticity as a viable possibility by creating a protagonist who is able to be both authentic and ethical."},{"label":"dcterms.available","value":"2013-05-22T17:35:15Z"},{"label":"dcterms.contributor","value":"Marshik, Celia , Olster, Stacey"},{"label":"dcterms.creator","value":"McKelvey, Stacy Marie"},{"label":"dcterms.dateAccepted","value":"2015-04-24T14:47:08Z"},{"label":"dcterms.dateSubmitted","value":"2015-04-24T14:47:08Z"},{"label":"dcterms.description","value":"Department of English"},{"label":"dcterms.extent","value":"47 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/71344"},{"label":"dcterms.issued","value":"2011-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2013-05-22T17:35:15Z (GMT). No. of bitstreams: 1\nMcKelvey_grad.sunysb_0771M_10758.pdf: 493281 bytes, checksum: 6af8e23a0c5e581a059349792005997e (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Authenticity, Identity, Jean-Paul Sartre, Kazuo Ishiguro, Martin Heidegger, Never Let Me Go"},{"label":"dcterms.title","value":"A Figura of Authenticity: Redefining Authentic Living in Kazuo Ishiguro's Never Let Me"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/11%2F16%2F23%2F111623586697544516235669284872513625376/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/11%2F16%2F23%2F111623586697544516235669284872513625376","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}