{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Characterizing Minor African American Women's Everyday Singing in African American Literature","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/1951/59710"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"A tradition in fiction that echoes throughout the African American literary canon is the commonplace `minor' characterization of female singers who translate the conditions of their everyday lived realities through a uniquely womanist practice of vocal performance. The vocal form of this aesthetic of singing is also represented as a culture of rendered voice and as a sustained motif for personal and group identity. This dissertation argues for the narrative centrality of \"minor\" African American female singers and also for value to a reading practice that augments secondary characterization on the basis that the literary phenomenon of female singing reformulates traditional reading practices, which placed a text's principle value on its `major' characters, in order to better understand the significance of African American female singers in modern narratives."},{"label":"dcterms.available","value":"2013-05-22T17:34:51Z"},{"label":"dcterms.contributor","value":"Phillips, Rowan R.Hurley, E. Anthony"},{"label":"dcterms.creator","value":"Jones, Patrina Carynne"},{"label":"dcterms.dateAccepted","value":"2013-05-22T17:34:51Z"},{"label":"dcterms.dateSubmitted","value":"2013-05-22T17:34:51Z"},{"label":"dcterms.description","value":"Department of English"},{"label":"dcterms.extent","value":"205 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/71280"},{"label":"dcterms.issued","value":"2011-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2013-05-22T17:34:51Z (GMT). No. of bitstreams: 1\nJones_grad.sunysb_0771E_10723.pdf: 741143 bytes, checksum: 4fcead38e79e1cedaa03b47b19b606fe (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"African American studies--Music--Women's studies"},{"label":"dcterms.title","value":"Characterizing Minor African American Women's Everyday Singing in African American Literature"},{"label":"dcterms.type","value":"Dissertation"},{"label":"dc.type","value":"Dissertation"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F47%2F49%2F14474956066440927483586883728779302424/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F47%2F49%2F14474956066440927483586883728779302424","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}