{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"The diabolic metamorphosis and its images en Quevedo's work","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/71016"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"The purpose of this study is to analyze the diabolic images in the work of Francisco de Quevedo from two perspectives: the terrifying mask and comic caricature.  The diabolic spirit in Quevedo's work has several nuances that derive from the author's ideological belief: the tempting devil, the rebellious demon, the demon destroyer, the devil burlesque, as well as satanic things, nations, and characters. The study is based on the following works: la Pol?\u00c1tica de Dios, gobierno de Cristo y tiran?\u00c1a de Satan? s, Los sue??os, La hora de todos, la Espa??a defendida, el Mundo caduco y desvar?\u00c1os de la edad, La vida del Busc??n, la Execraci??n contra los jud?\u00c1os, la Visita y anatom?\u00c1a de la cabeza del Cardenal Armando de Richelieu, Alabanzas de la moneda, Libro de todas las cosas y otras muchas m? s, Carta al Rey Cristian?\u00c1simo Lu?\u00c1s XIII, Carta a don Francisco de Oviedo, La musa Cl?\u00c1o del parnaso espa??ol and Poes?\u00c1a sat?\u00c1rico-burlesca de Quevedo."},{"label":"dcterms.available","value":"2013-05-22T17:34:08Z"},{"label":"dcterms.contributor","value":"Roncero L??pez, Victoriano"},{"label":"dcterms.creator","value":"Banaru, Nelly"},{"label":"dcterms.dateAccepted","value":"2015-04-24T14:45:35Z"},{"label":"dcterms.dateSubmitted","value":"2015-04-24T14:45:35Z"},{"label":"dcterms.description","value":"Department of Hispanic Languages and Literature"},{"label":"dcterms.extent","value":"84 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/1951/59576"},{"label":"dcterms.issued","value":"2011-05-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2013-05-22T17:34:08Z (GMT). No. of bitstreams: 1\nBanaru_grad.sunysb_0771M_10539.pdf: 607126 bytes, checksum: f10080a7c07b618d14e8e9d17b717e01 (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Classical studies--European studies"},{"label":"dcterms.title","value":"The diabolic metamorphosis and its images en Quevedo's work"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/26%2F04%2F22%2F26042233760946650747170103688746573552/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/26%2F04%2F22%2F26042233760946650747170103688746573552","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}