{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Reverberation in the Void","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/1951/55460"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"This thesis serves as the written defense for the sculptural and performance work completed by Elizabeth Dee Heifferon at Stony Brook University 2007-2010. The work originates out of a concern for reconnecting the human and the natural through mutually beneficial energy exchange. In the philosophy that guides the work, there is a focus on the dynamics of energy exchange: within bodies, between bodies and forms, and within the void. In the corporeal aspect of the work, there is an exploration of environmentally safe materials and an emphasis on physical processes incorporating elements of contemporary dance and hatha yoga. This thesis introduces the work through the thoughts and intentions behind it: an interweaving of environmental and Eastern philosophies with various artistic and theoretical precedents. The work is then explored thematically rather than chronologically, moving from the development of the sculpture and installations, to the incorporation of movement work, to their synthesis in the thesis work."},{"label":"dcterms.available","value":"2012-05-15T18:03:58Z"},{"label":"dcterms.contributor","value":"Toby Buonagurio"},{"label":"dcterms.creator","value":"Heifferon, Elizabeth Dee"},{"label":"dcterms.dateAccepted","value":"2012-05-15T18:03:58Z"},{"label":"dcterms.dateSubmitted","value":"2012-05-15T18:03:58Z"},{"label":"dcterms.description","value":"Department of Studio Art"},{"label":"dcterms.format","value":"Application/PDF"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/1951/55460"},{"label":"dcterms.issued","value":"2010-05-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2015-04-24T14:44:59Z (GMT). No. of bitstreams: 3\nHeifferon_grad.sunysb_0771M_10134.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5)\nHeifferon_grad.sunysb_0771M_10134.pdf.txt: 111116 bytes, checksum: cbb039e8ccf53c762efc35dba6e94997 (MD5)\nHeifferon_grad.sunysb_0771M_10134.pdf: 17268479 bytes, checksum: 767a728b289104212e75d588e2a0e2f3 (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"dance, environment, installation, philosophy, sculpture, yoga"},{"label":"dcterms.title","value":"Reverberation in the Void"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F72%2F11%2F147211673507122861327525171591868892479/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F72%2F11%2F147211673507122861327525171591868892479","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}