{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"The Empowerment of Women in Candombl\u00c3\u00a9 through the Lens of Pierre Verger","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/76875"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"This thesis will address matters of gender and race in Pierre Verger\u2019s photographs of Brazilian Candombl\u00e9. Candombl\u00e9 religion subverts not only race oppression, but gender oppression as well. It is one of the few social spaces where Afro-Brazilians, especially women, assume positions of power. In analyzing Verger's pictures, I will define the extent to which he is successful in translating this subversion to an exterior audience not familiar with the traditions of the religion."},{"label":"dcterms.available","value":"2017-09-20T16:51:22Z"},{"label":"dcterms.contributor","value":"Goodarzi, Shoki."},{"label":"dcterms.creator","value":"Teixeira-Vesey, Luiza"},{"label":"dcterms.dateAccepted","value":"2017-09-20T16:51:22Z"},{"label":"dcterms.dateSubmitted","value":"2017-09-20T16:51:22Z"},{"label":"dcterms.description","value":"Department of Art History and Criticism."},{"label":"dcterms.extent","value":"44 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/76875"},{"label":"dcterms.issued","value":"2015-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2017-09-20T16:51:22Z (GMT). No. of bitstreams: 1\nTeixeiraVesey_grad.sunysb_0771M_12340.pdf: 942991 bytes, checksum: 097c27bbe9a3ffe1a06dce6fb8d42303 (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Art history"},{"label":"dcterms.title","value":"The Empowerment of Women in Candombl\u00c3\u00a9 through the Lens of Pierre Verger"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/12%2F57%2F32%2F125732814476562282023556300438054497764/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/12%2F57%2F32%2F125732814476562282023556300438054497764","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}