{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Re-facing Societies Through Art Faith47: A Heroine for Hope","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/76826"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"Areas of the world that are facing hardships of all kinds bare the same signature that is visible to all: a dilapidated infrastructure. A first step in improving the areas that are struggling is to give the citizens something to be proud of when they look out of their windows. The work of South African street artist Faith47 is the kind of art that can provide such pride and also hope for a better future. Using Faith47's native country, I am proposing a socialist regime of art to both physically and emotionally improve the areas and citizens who suffer each and every day. In this thesis I will elaborate on the work of Faith47 as she juxtaposes awe-inspiring characters and elegant animalistic creatures with, historical contexts that still ravish South Africa today. I will also document her work as a socialist beneficiary striding to make the world a better place for all through art."},{"label":"dcterms.available","value":"2017-09-20T16:51:15Z"},{"label":"dcterms.contributor","value":"Rubin, James"},{"label":"dcterms.creator","value":"Francis, Stephen Louis"},{"label":"dcterms.dateAccepted","value":"2017-09-20T16:51:15Z"},{"label":"dcterms.dateSubmitted","value":"2017-09-20T16:51:15Z"},{"label":"dcterms.description","value":"Department of Art History and Criticism."},{"label":"dcterms.extent","value":"27 pg."},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/76826"},{"label":"dcterms.issued","value":"2014-12-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2017-09-20T16:51:15Z (GMT). No. of bitstreams: 1\nFrancis_grad.sunysb_0771M_11856.pdf: 277912 bytes, checksum: 99a9481225a72f8cca675f97a7b601a8 (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Art history"},{"label":"dcterms.title","value":"Re-facing Societies Through Art Faith47: A Heroine for Hope"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F32%2F52%2F14325286818232639389667487356294130832/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F32%2F52%2F14325286818232639389667487356294130832","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}