{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Moerenuma Park as Noguchi's Utopian Universe-- the Park as Reflection of Ideal Sculptural Space of Isamu Noguchi","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/1951/55946"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"Moerenuma Park (1988-2005) is the last public project that sculptor Isamu Noguchi (1904-1988) designed. He considered the park to be one single sculpture. The park reflects the idea of Noguchi's ideal society: a place where there is no sense of specificity to a certain country or community, but instead, a sense of universality. Throughout his artistic career, Noguchi aspired to construct a sculptural space for the benefit of general public. Such a utilitarian approach to sculpture led him to design Moerenuma Park for the benefit of a worldly society. As Noguchi generated the idea of such a sculptural space, he also developed his idea to form a universal place. There are many references to this universality within the park itself. This thesis examines the development of Noguchi's idea: to create utilitarian artwork that conveys universality, which Moerenuma Park expresses."},{"label":"dcterms.available","value":"2015-04-24T14:47:54Z"},{"label":"dcterms.contributor","value":"Andrew V. Uroskie.  Michele H. Bogart."},{"label":"dcterms.creator","value":"Aoyagi, Mariko"},{"label":"dcterms.dateAccepted","value":"2012-05-17T12:19:46Z"},{"label":"dcterms.dateSubmitted","value":"2015-04-24T14:47:54Z"},{"label":"dcterms.description","value":"Department of Art History and Criticism"},{"label":"dcterms.format","value":"Monograph"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/11401/71554"},{"label":"dcterms.issued","value":"2011-05-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2015-04-24T14:47:54Z (GMT). No. of bitstreams: 3\nAoyagi_grad.sunysb_0771M_10525.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5)\nAoyagi_grad.sunysb_0771M_10525.pdf: 15618342 bytes, checksum: d50a79c9d3dc2ecdbeb187c9d309d4f7 (MD5)\nAoyagi_grad.sunysb_0771M_10525.pdf.txt: 111269 bytes, checksum: 2318f70ed437db924eb2342db02133ee (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"Isamu Noguchi, Moerenuma Park, Public Art"},{"label":"dcterms.title","value":"Moerenuma Park as Noguchi's Utopian Universe-- the Park as Reflection of Ideal Sculptural Space of Isamu Noguchi"},{"label":"dcterms.type","value":"Thesis"},{"label":"dc.type","value":"Thesis"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F59%2F71%2F145971447846440154005033881797179332399/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/14%2F59%2F71%2F145971447846440154005033881797179332399","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}