{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Gothic Elements and Racial Stereotypes in the Construction of the Passing Character","metadata":[{"label":"dc.description.sponsorship","value":"This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree."},{"label":"dc.format","value":"Monograph"},{"label":"dc.format.medium","value":"Electronic Resource"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/1951/59866"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.abstract","value":"Gothic Elements and Racial Stereotypes In the Construction Of The Passing Character By Kimberly Divonne Smith Doctor of Philosophy In English Stony Brook University 2012 My dissertation analyzes the construction of the passing character in the American literary tradition as s/he is depicted by both black and white authors through their use of gothic elements, in ways that challenged or substantiated racial stereotypes (or sometimes both). Furthermore, this study demonstrates how the passing figure reflects the enduringly haunting racial landscapes of America. Specifically, this comparative study critiques the works of Mark Twain, Charles Chesnutt, Nella Larsen, Danzy Senna, and William Faulkner. Also included in this study is an analysis of racial dynamics in both versions of Imitation of Life, the 1934 adaption as directed by John Stahl and the 1959 version directed by Donald Sirk."},{"label":"dcterms.available","value":"2013-05-22T17:35:36Z"},{"label":"dcterms.contributor","value":"Wright, Susan."},{"label":"dcterms.creator","value":"Smith, Kimberly Divonne"},{"label":"dcterms.dateAccepted","value":"2013-05-22T17:35:36Z"},{"label":"dcterms.dateSubmitted","value":"2015-04-24T14:47:28Z"},{"label":"dcterms.description","value":"Department of English"},{"label":"dcterms.extent","value":"276 pg."},{"label":"dcterms.format","value":"Application/PDF"},{"label":"dcterms.identifier","value":"http://hdl.handle.net/1951/59866"},{"label":"dcterms.issued","value":"2012-08-01"},{"label":"dcterms.language","value":"en_US"},{"label":"dcterms.provenance","value":"Made available in DSpace on 2015-04-24T14:47:28Z (GMT). No. of bitstreams: 3\nSmith_grad.sunysb_0771E_11042.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5)\nSmith_grad.sunysb_0771E_11042.pdf.txt: 570711 bytes, checksum: beaefdfda8d568d633ab1af8287016c5 (MD5)\nSmith_grad.sunysb_0771E_11042.pdf: 3132157 bytes, checksum: b3e37845491d2de45fc2f1410e6a693a (MD5)\n  Previous issue date:    1"},{"label":"dcterms.publisher","value":"The Graduate School, Stony Brook University: Stony Brook, NY."},{"label":"dcterms.subject","value":"American literature--American studies--African American studies"},{"label":"dcterms.title","value":"Gothic Elements and Racial Stereotypes in the Construction of the Passing Character"},{"label":"dcterms.type","value":"Dissertation"},{"label":"dc.type","value":"Dissertation"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1650,"width":1275,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/15%2F42%2F22%2F154222352008736952504988782766705299551/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1650,"width":1275,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/15%2F42%2F22%2F154222352008736952504988782766705299551","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}