{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/manifest.json","@type":"sc:Manifest","label":"Journal","metadata":[{"label":"dc.contributor.other","value":"McNamara, Annemarie"},{"label":"dc.description","value":"v. : ill. ; 22 cm (original analog pub.)"},{"label":"dc.description.sponsorship","value":"Department of Art, Stony Brook University; Stony Brook University Libraries"},{"label":"dc.format","value":"Serial"},{"label":"dc.format.medium","value":"Electronic resource"},{"label":"dc.identifier.citation","value":"Art Criticism: Stony Brook, N.Y."},{"label":"dc.identifier.issn","value":"0195-4148"},{"label":"dc.identifier.uri","value":"http://hdl.handle.net/11401/59805"},{"label":"dc.language.iso","value":"en_US"},{"label":"dc.rights","value":"All rights reserved.  Stony Brook University."},{"label":"dcterms.contributor","value":"Kuspit, Donald B. (Donald Burton), 1935-"},{"label":"dcterms.creator","value":"Knafo, Danielle"},{"label":"dcterms.dateAccepted","value":"2015-04-24T13:59:30Z"},{"label":"dcterms.dateSubmitted","value":"2015-04-24T13:59:30Z"},{"label":"dcterms.description","value":"Knafo, Danielle, \u201cIn Her Own Image: Self-Representation in the Art of Frida Kahlo and Ana Mendieta.\u201d\nBusbea, Larry, \u201cPlease Seat Your-Self: A Witmicottian Reading of the Furniture Objects of Scott Burton.\u201d\nGedo, Mary Mathews, \u201cPublic Art/Private Iconography: Roger Brown\u2019s Transformation of the Myth of Daedalus and Icarus.\u201d\nFerb, Lara, \u201cDialectic Negation and the Unrepresentable Object of Nihilism in the Painting of Sigma\u2019 Polke.\u201d\nMorowitz, Laura, \u201cAnonymity, Artisitc Brotherhoods and the Art Market in the Fin de Siecle.\u201d\nKing, Elaine A., \u201cThe Post-Modem, Avant-Garde Enigma: Who and What is Killing Art?\u201d\nJaffee, Barbara, \u201cIn the Name of Peirce: Art Criticism and the October Circle.\u201d"},{"label":"dcterms.issued","value":"1996"},{"label":"dcterms.provenance","value":"Submitted by Jason Torre (fjason.torre@stonybrook.edu) on 2013-04-17T19:08:20Z\nNo. of bitstreams: 1\nArtCriticism_V11_N02.pdf: 41748565 bytes, checksum: db0a9dc5abc9ab8d989286641d1b596b (MD5)"},{"label":"dcterms.publisher","value":"Department of Art, Stony Brook University"},{"label":"dcterms.subject","value":"Art -- History"},{"label":"dcterms.title","value":"Journal"}],"description":"This manifest was generated dynamically","viewingDirection":"left-to-right","sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json","@type":"sc:Canvas","label":"Page 1","height":1252,"width":786,"images":[{"@type":"oa:Annotation","motivation":"sc:painting","resource":{"@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/61%2F77%2F39%2F61773930137248314585336475511350170597/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","height":1252,"width":786,"service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/61%2F77%2F39%2F61773930137248314585336475511350170597","profile":"http://iiif.io/api/image/2/level2.json"}},"on":"https://repo.library.stonybrook.edu/cantaloupe/iiif/2/canvas/page-1.json"}]}]}]}